Learn more about our current gallery shows. View and purchase online contemporary landscape paintings by Terrill Welch, Jennifer Peers, Glenda King, Jody Waldie and Annerose Georgeson at: https://www.artsy.net/terrill-welch-gallery
Your safety and well-being is important to us. Stay well and still view and collect the art you love.
OPEN by Appointment (2 people at a time maximum, masks required, hand sanitizer available, stay six feet apart). Call/ text c. 250.744.4560 or email email@example.com in order to view both rooms of the gallery. The Arbutus Room is also open without an appointment, with the same protocols in place, when the neighbouring business the Dragonfly is open.
Our gallery program brings extraordinary connections to ordinary moments in our natural landscape. Our artists encourage you to see with more than your eyes. These artworks invite you to feel as if you are there, nature and humanity thriving in partnership. The Terrill Welch Gallery opened in August 2017 on a serene island off the southwest coast of Canada. Our Mayne Island art gallery is a day excursion by ferry from either Vancouver or Victoria, British Columbia (once non-essential travel is again recommended). Since opening, the gallery has more than doubled its physical gallery exhibition space and online reach. Our gallery founder, Terrill Welch, has been bringing art collectors and landscape paintings together for over 30 years.
This staying home, self isolating and social distancing is hard on individuals and communities alike. Human-beings are such social creatures. It is a big ask even though it is necessary. We may find it hard to follow various orders and requests. Basically, we are being asked to do something that humans have not been born or nurtured to do – especially in a crisis. We want to be together and travel to the place we believe is the safest, even when our rational mind and experts tell us otherwise. This is a challenging time on so many levels.
An invitation from Contemporary Canadian Landscape Painter Terrill Welch –
“I am holding space for loving kindness, compassion and thoughtful resilience for each and everyone of us. I invite each of you to do the same. Take a moment and just imagine everyone closeby and afar embraced in love.”
A Painter’s Corner and Plein Air Views with Terrill Welch is a little less than 15 minute video of Terrill’s landscape painting world using snippets from May 2014 to March 2020. The music in the video is from the iMovie soundtrack options and is called “Hope” by Keith Kenniff. We hope you enjoy this quiet retreat from everyday worries and challenges.
We are near the beginning of our collective global journey with this COVID-19 virus. Our abilities to navigate the continual changes that are going to be asked of us will be paramount to shaping our future.
We can do this. It is going to test us as individuals and as a community beyond anything we are familiar with in our lifetime. Yet, I know we will come out the other side, whole, together and strong. Whatever happens and whatever we do, being kind is always possible. Let’s start there and proceed with thoughtfulness and personal accountability.
May this video bring you inner peace, strength, hope, resilience and compassion for others.
Need to chill for a while? Or imagine sitting by the sea, waves gently rolling in? How about a walk through the trees?
The Terrill Welch Gallery gets it! You need to remain in your own separate bubble space as much as possible for the next few weeks in order to help flatten the curve of COVID-19 virus, for your own well-being and that of your community, and yet, self care is still important. We know and we are prepared. We have received frequent reports over the years that viewing Terrill Welch’s landscape paintings has a calming effect, a sense of connection and peace. But you don’t need to take our word for it. Give it a try for yourself. Here is what you do in three easy social distancing steps:
Step One: In your own home, find your most comfortable chair and snuggle in with your favourite beverage and device.
Step Three: Use the “Inquire” bottom to send us a direct email to make purchase and shipping arrangements, to ask a question or make individually tailored viewing arrangements, including using an augmented reality app to view the landscape painting in your own home or see paintings in a virtual gallery. See? We told you we get it! Or if you just want to be social and say “hello” leave us a comment below or send us a private message. We are always happy to chat and share an interesting adventure about a landscape painting or three.
Do let us know about your Terrill Welch Gallery social distancing experience. Did you have a favourite painting that you displayed on your big screen, or set up as a screen saver? Did you find one that is now being packaged up for shipping to you? Did you simply enjoy a few quiet moments, a reprieve, an ART break? We always love to hear from you and now, more than ever, we thrilled to be part of your social online community!
Virtual hugs while we wave and keep our physical social distance… and wash our hands, frequently. We look forward to seeing you in person sometime in May with the opening of the regular summer season. Your well-being is our well-being.
The Art of Terrill Welch Gallery is adding another gallery room to our location. This new room will allow the gallery to show both more of Terrill’s paintings and a small number of highly curated new works by other artists that we are deeply familiar with.
The new gallery space will be named the “Arbutus Room” and will be in the former Dragonfly location, owned by Vania Williams, which is moving next door. The Arbutus Room will be dedicated to west coast and Salish Sea landscape paintings.
Vania Williams will also provide sales and retail support for the Art of Terrill Welch Gallery in the new Arbutus Room. This allows the Arbutus Room to be open year-round for the same hours as the Dragonfly. This arrangement will have the advantage of keeping the accessible side entrance available to Vania’s store and protect Terrill’s sacred painting time, even with the expanded gallery showings.
The Arbutus Room is anticipated to be open sometime in April or early May. Please stay tuned while we work out the details and complete the renovations. We look forward to providing you with the same great art and relaxed, personal and informed service on this new and grander scale in the near future.
The Art of Terrill Welch Gallery opens its final show of the year with a Solo Exhibition “Paintings of the Salish Sea” November 1 – 10, 2019. The gallery will be open 11-4 Friday, Saturday and Sunday on the first weekend and Friday and Saturday on the second weekend as well as by appointment on any of the days between November 1st and 10th.
During this show of smaller original works a few gift products will also be available such as 2020 calendars, greeting cards, writing journals, mugs and tote bags. These gift products are only in the gallery during this November and sometimes by special request in December. The rest of the year is dedicated to original paintings by Terrill Welch and the occasional guest artist. With the exception of the calendars, these gift products and more can also be purchased directly online worldwide in the gallery’s Redbubble store front at: https://www.redbubble.com/people/terrillwelch?asc=u Once you reach the storefront, just click on the painting image you like and it will show you the products available for that image. Always feel free to contact us if you need any assistance.
The original painting sketches and oil paintings can also be viewed and purchased through our online gallery. We wish you all the best whether you are browsing in-person or over the internet! Questions and enquires are most welcome and we make every effort to response within 24 hours. Enjoy!
Each season of Mayne Island’s boutique Art of Terrill Welch Gallery brings something new to its personal and Canadian welcome for viewing original paintings by internationally collected landscape painter Terrill Welch. With just a wee bit of luck, we managed to capture the artist herself stepping behind and in front of the camera this spring to bring a quick overview of what is in store at the start of the 2019 spring and summer season. We hope you enjoy this short video introduction and a brief glimpse of some of her new work that is now available.
A quick reminder for those that are unable to come to the physical gallery that available works can be viewed and purchased online 24/7 and come with a 30 day (no questions asked) satisfaction guarantee. Also, there is now a virtual gallery show that you can learn more about in the previous post HERE.
Make a Plan Today and….
Visit Art of Terrill Welch Gallery from the May to September long weekends on Friday, Saturday and Sunday 11-4. Or better yet, make an appointment for a private viewing anytime of the year at 478 Village Bay Rd., Mayne Island, B.C., Canada.
We know it is always great to visit the Terrill Welch Gallery on Mayne Island off the southwest coast of British Columbia, Canada. But what is one to do when this is not an option? We have been musing about this and have come up with an alternative experience beyond viewing works in only the online gallery. Have you ever seen a 3D gallery show? Have you ever used augmented reality or AR to try a Terrill Welch original painting out, to scale, on the walls in your own space before deciding to purchase? Well now you can!
Please note, this new technology is not meant to replace our current website and online gallery or physical gallery. This opportunity is intended to offer another value-added advantage to our fans and collectors of “Terrill Welch” original paintings by providing an online visual size-reference for both the work itself and also for the space you are considering placing it.
3D Virtual Gallery Solo Exhibition
A few hints before you enter the 3D virtual gallery:
A laptop or tablet seem to give the best viewing experience but several people tested the gallery using their phones and enjoyed the experience as well.
Once you “enter” the exhibition it may take a few seconds to load.
Small movements in the gallery with cursor or finger have a big impact. So take it slow until you get the hang of the space.
You can move around the gallery at will or you can have a guided tour. The guided tour doesn’t give you much of a feel of scale but it does show you all the work individually.
To see a work in detail and access information about it just tap or click on the painting. On the right, there is an “i” in the row of options that you can click for more information about a piece.
When you are done looking at a specific painting you can scroll left or right or hit the “x” at the top right to exit and again move around in the gallery space.
General instructions are also available at the websiteHERE.
What you see should look something like this….
If this is what you see, you are in the right place to enter. On my iPand and iPhone I need to touch the image to enter. Then once you enter, there will be instruction on the upper right on how to navigate the virtual gallery. Once you have it figured out just hit the “x” to get it out of the way.
Go ahead, have a look around.
If you see something you like, zoom in.
Click the “i” for information and it will then have a link to click for price and to make an inquiry. There you go!
Augmented Reality Viewing
Now let’s move on to the second aspect of this grand new adventure. Right now there are the 24 paintings, those that are in the solo exhibition above, available for viewing in your own home or office space using the KUIO augmented reality app. However, I can add other paintings by special request and as needed.
A few hints before you try using the augmented reality technology:
Start by clicking on “get app” in the link provided HERE (you don’t need to “register”. That is for the Artist or Gallery to set up an exhibition)
Once you have the app installed on either your phone or IPad, the Selection ID 248 is what you use to access my work.
Once you search, under the number will appear “View Section: Contemporary Ca…” Click on this and you will be able to view the paintings and you will see the “view in room option”.
But first you will need to download and print the “marker” as this is what allows the technology to display the paintings in the correct size. Instructions will be provided to walk you through this step. One “marker” for all the paintings. You don’t need a different marker for each painting.
You can either use your phone or your iPad to view or take a photo of the painting in the desired location in your room. Have fun and if you have the time, we would love to hear what you think.
KUNSTMATRIX is the developer for both the 3D gallery space and the augmented reality and is based in Berlin, Germany. We suspect this technology will become more streamlined and fine-tuned over time and in a couple of years we will simple take it for granted. For now though, it is kind of exciting to be on the developmental edge of its implementation.
What can we say?… as we make three copies of everything for the International Customs declarations. Since the painting is jury selected for this show, we think we will just have to do our best to get the work there, even though it means a trip to Victoria B.C. for Fedex shipping. It should be, with a bit of luck, at the New York City Gallery, in preparation for the show, by Friday, March 22, 2019!
The Equinox Exhibition in New York, New York
is April 4 through April 26 2019
If you happen to be in the area or have friends who might be interested,
the NYA Gallery in TriBeCa is open 12 – 5 pm everyday at:
7 Franklin place, New York, NY 10013
Also, the Opening Night is April 4th from 6-9 pm and the link for eventvite tickets are HERE.
Just to add to the fun, there is a “sister painting” to this one which is available for viewing by appoint at the Terrill Welch Gallery’s winter studio during the same time as the Spring Equinox show at the NYA Gallery.
A coast to North American coast, reaching between two neighboring countries with two Terrill Welch paintings seems like a perfect way to start the Terrill Welch Gallery Spring season to me! What do you think?
In other Terrill Welch Gallery news – Sold!
The Terrill Welch Gallery congratulates the art collector who added this large contemporary Canadian landscape oil painting to their collection over the past couple of weeks.
The small study for this larger work refused to be left behind! So the two works will remain together in the same art collection.
Notes from the painter herself:
“A place where sea, shore, trees and home rest in harmony at the entrance to Active Pass on Mayne Island in British Columbia. There is just the right combination of resolve, peace, strength and resiliency present to fortify ones dignity and respect. It is a place where one’s inner and outer worlds seem seamless and glorious.”
Choosing the right space for a painting is always an interesting challenge. We had the opportunity to exercise my “visiting rights” of another large work in the same art collector’s home while we hung the new painting. This earlier painting is across from an open staircase and allows the viewer to see it easily at various heights from up and down the stairs as well from various locations in the open plan room. The ability to basically shift the viewers perspective from sitting to standing, depending on where they are on the stairs works extremely well.
Have you ever considered how art work in your rooms will be mostly be viewed?
Will people be transitioning from one room to another?
Will they often be sitting on chairs or sofas?
Is it a standing working area or an entrance?
Does the work require a brief glance to “get it” or does it require time to study and contemplate?
What is the work’s purpose in the room?
Does the work calm or energize?
Is the art of significance by itself or has it been paired to support other decorative aspects of a room? Or both?
Just a few quick thoughts to bring to your art collecting mindset when choosing where to hang a painting. Maybe these questions will lead to a whole shift of the art in your home or office? A fresh review of the work possibly?
Note: normally we don’t want to hang an original painting above a fireplace. In this case the fireplace is highly functional and as well as seldom used, leaving the painting at minimal risk of damage.
Happy Spring from the Terrill Welch Gallery to YOU!
We always love to hear from and if you want to receive our gallery newsletter, please go ahead and sign up…
Yesterday, following a rocky ferry ride, a power outage and in the mids of winds and heavy rain, business woman, Katrina Elliot and I slipped into the Terrill Welch Gallery. A painting had been set aside months ago, waiting for her final review and consideration. She said “yes!”
You see, like people, my paintings have work to do. My paintings are not just a pretty face to dangle on your wall for others to admire or an accessory to balance or decorate a room. In fact, many collectors of my paintings hang the work in their bedrooms where few see them but the intended viewer. So, what is this important work that these paintings do?
Well, like Katrina, many “Terrill Welch collectors” are leaders in fields that they are passionate about – it is demanding work, meaningful work. The risks are often high and the learning curves steep because these individuals continually reach for what is just at the edge of their ability, simply because the positive outcomes for change, in individual lives and in community, are great. It is work that will matter ten years and even a hundred years from now. These individuals give everything they have and then find that extra 10 percent. In these situations, my paintings frequently provide a focus for reflection, a chance to regroup and build resilience, an opportunity to dream and problem-solve. They provide confirmation that you are enough – just as you are. Finally and most importantly – hope. The paintings are a touchstone and buffer. They are a reminder of our ability to endure and navigate significant losses and the trials we all must face in living a full life, one that is well lived.
We know this because firstly, it is the spirit in which the work is created and secondly, the paintings have been doing this work for so long that they excel in their partnership with the viewer to accomplish these tasks. In fact, Katrina attended and purchased her first work from my very first solo gallery show back in the mid 1990’s. Sadly, this initial painting was lost in a flood a few years ago. In 2016, wanting to replace the painting, Katrina did a google searched for me and the rest, as they say, is history. Since then she has carefully and thoughtfully added works to her “Terrill Welch collection” and I do trust and hope that these paintings will work as rigorously and hard as she does. The biggest bonus for me is that we have rekindled a friendship that now spans almost 25 years. The paintings consider this their valued-added contribution to the bottom line of life and community. The paintings can never guarantee this outcome but it is always a welcomed deliverable. As a painter, I think I love my work almost as much as the collectors and the paintings do! After all, we all have work we must do, that we cannot bare to walk away from or leave only half completed.
So, let us congratulate “Centuries of Seasons – Heritage Road, P.E.I.” on finding the perfect home and Katrina Elliot on her new stewardship of this work. May they both thrive, give their best and always know how much they are appreciated.
Painter’s notes about “Centuries of Seasons – Heritage Road, P.E.I.” 24 x 30 inch walnut oil on wood…
Centuries of Seasons might be said to have begun on a drive down the Currie Heritage Road on Prince Edward Island, Canada in May 2016.
It might be said that I only trust my brushes today and not my own words and convictions. This is true, though it is not uncommon, I would think, to seek the experience of wise counsel when processing ones own experiences.
It might be said too that I have begun with the first trees I ever painted. This likely is equally true because to know a tree well enough to paint it is to spend years in its company.
It might be said that the centuries of seasons in this painting have no beginning and no ending. This too is true as we can observe that the road has worn away from years of passage over its red dirt surface.
Regardless of what might be said, this is where the painting has come to rest with its centuries of seasons.
At the close of each year, Terrill Welch reaches back and picks up the best bits and tosses them forward, leaving stepping stones for the year ahead. In this way, she is fortunate because this year, she has so many solid and elegant gems for tossing.
In the words of the artist herself….
“Gathering a monk’s collection of polished simplicity, I find myself preparing for painting adventures with a traveling bag full of painting problems, desires, half-baked ideas and unknowns. My meager tools and methods are but a few hundred years old. Will they be enough? Am I enough?”….
After all, works of art are always the results of one’s having been in danger, of having gone through an experience all the way to the end, to where no one can go any further. (Rainer Maria Rilke – Letters on Cézanne, 1907. Published in English in 2002)
This quote opens up the introduction by Elena Maslova-Levin of the catalogue Conversations on Edgethat was published in the spring of 2018 for a two-artist show with Welch and Maslova-Levin in the Terrill Welch Gallery on Mayne Island in British Columbia. Excerpts of Maslova-Levin’s introduction about my work is one of the pebbles of observation I am tossing forward…
Landscape painting might not seem like a particularly dangerous
adventure: you take your easel, and paints, and a canvas, and go
outside, and paint what you see. What danger can be there?
It is the danger of seeing what nobody else has seen, the danger of shattering conventional and comfortable visual reality.
Paul Cézanne once said that Claude Monet was “just an eye, but what an eye!”
This remark may seem disparaging – unless you know what it takes to see what your eyes really
see. Every human being receives an infinite richness of visual
information every waking moment, but the brain habitually filters out
almost all of it, and builds a simplified picture of visual reality for
the mind to consume, based mostly on what we already know. This
mechanism is there to protect us, and it takes both courage and mastery
to switch it off, and to fully open your mind to the unspeakable
infinity of world’s beauty. To go through the experience of seeing all the way to the end, to where no one can go any further.
Although a student of Claude Monet’s in many ways, with an eye as
attentive and discerning as his, Terrill Welch is much more than an eye.
The space of her paintings is more than the familiar three-dimensional
space of visual reality. It encompasses not just vision, but all sensory
dimensions of human experience – the sound of silence, the smell of
distant snow, the cool touch of shadows, the taste of ocean water (and,
occasionally, a hearty winter lunch, too). This is how she inhabits the
multidimensional space of ever-present Now. That’s how she fills with
life and light what might seem like empty space to a lazy eye.
It is this multidimensional space that opens up from the deceptively
two-dimensional surface of her paintings. We see not only the visible,
but the invisible too. And this experience – a peak visual experience –
can expand your sense of vision, your perception of reality, and
ultimately, your consciousness, but only if you allow yourself to fully see how she feels her way into the space of a landscape and fuses it with her inner space.
Her paintings invite us to share in the treasure she brings back from where no one can go any further.
This excerpt is the criteria Terrill Welch shall use to select her personal, in no particular order, SEVEN out of twenty-seven BEST of 2018 paintings – these are the painting pebbles that she shall toss lightly ahead of her as she moves into the stream of a new year.
Best SEVEN Paintings of 2018
Restless Salish Sea –8 x 10 inch plein air acrylic sketch on gessobord
The day was fantastic! The waves were being whipped up by a good breeze
but it was still warm enough to be comfortable standing around. A
favorite kind of plein air painting day!
A small Emerald Bay Mayne Island BC – 24 x 18 inch oil on canvas – SOLD
The emerald waters in the bay sparkle with the clarity of gems as the
sunlight reaches over top of the hill. I stand in the calmness for a
while then cast my thoughts farther afield to the smoky skies across the
Oyster Bay Morning Rain – 8 x 10 inch plein air acrylic sketch – SOLD
As we stood, clouds gathered, until I had tipped my easel almost closed. Morning Rain. Oyster Bay, Mayne Island, British Columbia
Arbutus in the fog St John’s Point – 16 x 20 inch oil on canvas
The old arbutus on St. John’s Point tells the story of winds, dryness,
winter rains and endurance as it curls up and back over itself for
balance. The morning fog leaves its shape exposed and gathering more
attention than usual.
Sea and Shore – 36 x 48 inch oil on canvas – SOLD
Arbutus Tree Reaching – 36 x 48 inch oil on canvas
Late afternoon sun catches the curves of a grand old arbutus tree
reaching out into Campbell Bay on Mayne Island in British Columbia. I
want not to move or even shift my gaze for a very long time.
Winter with the Old Fir on the Ridge – 48 x 24 inch oil on canvas
The snow on the north side of ridge slows my progress because I need
to take several stops to catch my breath. But the climb was worth it! I
have the Mt. Parke ridge with its fresh snow all to myself! Just me and
this big old fir tree were there when the sun broke through the rushing
clouds and warmed our backs.
This could be many places in British Columbia in the winter and
certainly took me on a memory meander around the province when I later
painted the moment.
Now, standing at the easel, brush in hand, Terrill Welch shall step cautiously, yet confidently, forward with the advice of Mary Oliver in verse 4 of her poem “Sometimes”
Instructions for living a life:
Tell about it.
(from page 105 in Devotions: The Selected Poems of Mary Oliver, 2017)
Happy New Year!
What about you – what stones, pebbles and gems are you tossing forward for your journey in 2019?