Each season of Mayne Island’s boutique Art of Terrill Welch Gallery brings something new to its personal and Canadian welcome for viewing original paintings by internationally collected landscape painter Terrill Welch. With just a wee bit of luck, we managed to capture the artist herself stepping behind and in front of the camera this spring to bring a quick overview of what is in store at the start of the 2019 spring and summer season. We hope you enjoy this short video introduction and a brief glimpse of some of her new work that is now available.
A quick reminder for those that are unable to come to the physical gallery that available works can be viewed and purchased online 24/7 and come with a 30 day (no questions asked) satisfaction guarantee. Also, there is now a virtual gallery show that you can learn more about in the previous post HERE.
Make a Plan Today and….
Visit Art of Terrill Welch Gallery from the May to September long weekends on Friday, Saturday and Sunday 11-4. Or better yet, make an appointment for a private viewing anytime of the year at 478 Village Bay Rd., Mayne Island, B.C., Canada.
We know it is always great to visit the Terrill Welch Gallery on Mayne Island off the southwest coast of British Columbia, Canada. But what is one to do when this is not an option? We have been musing about this and have come up with an alternative experience beyond viewing works in only the online gallery. Have you ever seen a 3D gallery show? Have you ever used augmented reality or AR to try a Terrill Welch original painting out, to scale, on the walls in your own space before deciding to purchase? Well now you can!
Please note, this new technology is not meant to replace our current website and online gallery or physical gallery. This opportunity is intended to offer another value-added advantage to our fans and collectors of “Terrill Welch” original paintings by providing an online visual size-reference for both the work itself and also for the space you are considering placing it.
3D Virtual Gallery Solo Exhibition
A few hints before you enter the 3D virtual gallery:
A laptop or tablet seem to give the best viewing experience but several people tested the gallery using their phones and enjoyed the experience as well.
Once you “enter” the exhibition it may take a few seconds to load.
Small movements in the gallery with cursor or finger have a big impact. So take it slow until you get the hang of the space.
You can move around the gallery at will or you can have a guided tour. The guided tour doesn’t give you much of a feel of scale but it does show you all the work individually.
To see a work in detail and access information about it just tap or click on the painting. On the right, there is an “i” in the row of options that you can click for more information about a piece.
When you are done looking at a specific painting you can scroll left or right or hit the “x” at the top right to exit and again move around in the gallery space.
General instructions are also available at the websiteHERE.
What you see should look something like this….
If this is what you see, you are in the right place to enter. On my iPand and iPhone I need to touch the image to enter. Then once you enter, there will be instruction on the upper right on how to navigate the virtual gallery. Once you have it figured out just hit the “x” to get it out of the way.
Go ahead, have a look around.
If you see something you like, zoom in.
Click the “i” for information and it will then have a link to click for price and to make an inquiry. There you go!
Augmented Reality Viewing
Now let’s move on to the second aspect of this grand new adventure. Right now there are the 24 paintings, those that are in the solo exhibition above, available for viewing in your own home or office space using the KUIO augmented reality app. However, I can add other paintings by special request and as needed.
A few hints before you try using the augmented reality technology:
Start by clicking on “get app” in the link provided HERE (you don’t need to “register”. That is for the Artist or Gallery to set up an exhibition)
Once you have the app installed on either your phone or IPad, the Selection ID 248 is what you use to access my work.
Once you search, under the number will appear “View Section: Contemporary Ca…” Click on this and you will be able to view the paintings and you will see the “view in room option”.
But first you will need to download and print the “marker” as this is what allows the technology to display the paintings in the correct size. Instructions will be provided to walk you through this step. One “marker” for all the paintings. You don’t need a different marker for each painting.
You can either use your phone or your iPad to view or take a photo of the painting in the desired location in your room. Have fun and if you have the time, we would love to hear what you think.
KUNSTMATRIX is the developer for both the 3D gallery space and the augmented reality and is based in Berlin, Germany. We suspect this technology will become more streamlined and fine-tuned over time and in a couple of years we will simple take it for granted. For now though, it is kind of exciting to be on the developmental edge of its implementation.
What can we say?… as we make three copies of everything for the International Customs declarations. Since the painting is jury selected for this show, we think we will just have to do our best to get the work there, even though it means a trip to Victoria B.C. for Fedex shipping. It should be, with a bit of luck, at the New York City Gallery, in preparation for the show, by Friday, March 22, 2019!
The Equinox Exhibition in New York, New York
is April 4 through April 26 2019
If you happen to be in the area or have friends who might be interested,
the NYA Gallery in TriBeCa is open 12 – 5 pm everyday at:
7 Franklin place, New York, NY 10013
Also, the Opening Night is April 4th from 6-9 pm and the link for eventvite tickets are HERE.
Just to add to the fun, there is a “sister painting” to this one which is available for viewing by appoint at the Terrill Welch Gallery’s winter studio during the same time as the Spring Equinox show at the NYA Gallery.
A coast to North American coast, reaching between two neighboring countries with two Terrill Welch paintings seems like a perfect way to start the Terrill Welch Gallery Spring season to me! What do you think?
In other Terrill Welch Gallery news – Sold!
The Terrill Welch Gallery congratulates the art collector who added this large contemporary Canadian landscape oil painting to their collection over the past couple of weeks.
The small study for this larger work refused to be left behind! So the two works will remain together in the same art collection.
Notes from the painter herself:
“A place where sea, shore, trees and home rest in harmony at the entrance to Active Pass on Mayne Island in British Columbia. There is just the right combination of resolve, peace, strength and resiliency present to fortify ones dignity and respect. It is a place where one’s inner and outer worlds seem seamless and glorious.”
Choosing the right space for a painting is always an interesting challenge. We had the opportunity to exercise my “visiting rights” of another large work in the same art collector’s home while we hung the new painting. This earlier painting is across from an open staircase and allows the viewer to see it easily at various heights from up and down the stairs as well from various locations in the open plan room. The ability to basically shift the viewers perspective from sitting to standing, depending on where they are on the stairs works extremely well.
Have you ever considered how art work in your rooms will be mostly be viewed?
Will people be transitioning from one room to another?
Will they often be sitting on chairs or sofas?
Is it a standing working area or an entrance?
Does the work require a brief glance to “get it” or does it require time to study and contemplate?
What is the work’s purpose in the room?
Does the work calm or energize?
Is the art of significance by itself or has it been paired to support other decorative aspects of a room? Or both?
Just a few quick thoughts to bring to your art collecting mindset when choosing where to hang a painting. Maybe these questions will lead to a whole shift of the art in your home or office? A fresh review of the work possibly?
Note: normally we don’t want to hang an original painting above a fireplace. In this case the fireplace is highly functional and as well as seldom used, leaving the painting at minimal risk of damage.
Happy Spring from the Terrill Welch Gallery to YOU!
We always love to hear from and if you want to receive our gallery newsletter, please go ahead and sign up…
Yesterday, following a rocky ferry ride, a power outage and in the mids of winds and heavy rain, business woman, Katrina Elliot and I slipped into the Terrill Welch Gallery. A painting had been set aside months ago, waiting for her final review and consideration. She said “yes!”
You see, like people, my paintings have work to do. My paintings are not just a pretty face to dangle on your wall for others to admire or an accessory to balance or decorate a room. In fact, many collectors of my paintings hang the work in their bedrooms where few see them but the intended viewer. So, what is this important work that these paintings do?
Well, like Katrina, many “Terrill Welch collectors” are leaders in fields that they are passionate about – it is demanding work, meaningful work. The risks are often high and the learning curves steep because these individuals continually reach for what is just at the edge of their ability, simply because the positive outcomes for change, in individual lives and in community, are great. It is work that will matter ten years and even a hundred years from now. These individuals give everything they have and then find that extra 10 percent. In these situations, my paintings frequently provide a focus for reflection, a chance to regroup and build resilience, an opportunity to dream and problem-solve. They provide confirmation that you are enough – just as you are. Finally and most importantly – hope. The paintings are a touchstone and buffer. They are a reminder of our ability to endure and navigate significant losses and the trials we all must face in living a full life, one that is well lived.
We know this because firstly, it is the spirit in which the work is created and secondly, the paintings have been doing this work for so long that they excel in their partnership with the viewer to accomplish these tasks. In fact, Katrina attended and purchased her first work from my very first solo gallery show back in the mid 1990’s. Sadly, this initial painting was lost in a flood a few years ago. In 2016, wanting to replace the painting, Katrina did a google searched for me and the rest, as they say, is history. Since then she has carefully and thoughtfully added works to her “Terrill Welch collection” and I do trust and hope that these paintings will work as rigorously and hard as she does. The biggest bonus for me is that we have rekindled a friendship that now spans almost 25 years. The paintings consider this their valued-added contribution to the bottom line of life and community. The paintings can never guarantee this outcome but it is always a welcomed deliverable. As a painter, I think I love my work almost as much as the collectors and the paintings do! After all, we all have work we must do, that we cannot bare to walk away from or leave only half completed.
So, let us congratulate “Centuries of Seasons – Heritage Road, P.E.I.” on finding the perfect home and Katrina Elliot on her new stewardship of this work. May they both thrive, give their best and always know how much they are appreciated.
Painter’s notes about “Centuries of Seasons – Heritage Road, P.E.I.” 24 x 30 inch walnut oil on wood…
Centuries of Seasons might be said to have begun on a drive down the Currie Heritage Road on Prince Edward Island, Canada in May 2016.
It might be said that I only trust my brushes today and not my own words and convictions. This is true, though it is not uncommon, I would think, to seek the experience of wise counsel when processing ones own experiences.
It might be said too that I have begun with the first trees I ever painted. This likely is equally true because to know a tree well enough to paint it is to spend years in its company.
It might be said that the centuries of seasons in this painting have no beginning and no ending. This too is true as we can observe that the road has worn away from years of passage over its red dirt surface.
Regardless of what might be said, this is where the painting has come to rest with its centuries of seasons.
At the close of each year, Terrill Welch reaches back and picks up the best bits and tosses them forward, leaving stepping stones for the year ahead. In this way, she is fortunate because this year, she has so many solid and elegant gems for tossing.
In the words of the artist herself….
“Gathering a monk’s collection of polished simplicity, I find myself preparing for painting adventures with a traveling bag full of painting problems, desires, half-baked ideas and unknowns. My meager tools and methods are but a few hundred years old. Will they be enough? Am I enough?”….
After all, works of art are always the results of one’s having been in danger, of having gone through an experience all the way to the end, to where no one can go any further. (Rainer Maria Rilke – Letters on Cézanne, 1907. Published in English in 2002)
This quote opens up the introduction by Elena Maslova-Levin of the catalogue Conversations on Edgethat was published in the spring of 2018 for a two-artist show with Welch and Maslova-Levin in the Terrill Welch Gallery on Mayne Island in British Columbia. Excerpts of Maslova-Levin’s introduction about my work is one of the pebbles of observation I am tossing forward…
Landscape painting might not seem like a particularly dangerous
adventure: you take your easel, and paints, and a canvas, and go
outside, and paint what you see. What danger can be there?
It is the danger of seeing what nobody else has seen, the danger of shattering conventional and comfortable visual reality.
Paul Cézanne once said that Claude Monet was “just an eye, but what an eye!”
This remark may seem disparaging – unless you know what it takes to see what your eyes really
see. Every human being receives an infinite richness of visual
information every waking moment, but the brain habitually filters out
almost all of it, and builds a simplified picture of visual reality for
the mind to consume, based mostly on what we already know. This
mechanism is there to protect us, and it takes both courage and mastery
to switch it off, and to fully open your mind to the unspeakable
infinity of world’s beauty. To go through the experience of seeing all the way to the end, to where no one can go any further.
Although a student of Claude Monet’s in many ways, with an eye as
attentive and discerning as his, Terrill Welch is much more than an eye.
The space of her paintings is more than the familiar three-dimensional
space of visual reality. It encompasses not just vision, but all sensory
dimensions of human experience – the sound of silence, the smell of
distant snow, the cool touch of shadows, the taste of ocean water (and,
occasionally, a hearty winter lunch, too). This is how she inhabits the
multidimensional space of ever-present Now. That’s how she fills with
life and light what might seem like empty space to a lazy eye.
It is this multidimensional space that opens up from the deceptively
two-dimensional surface of her paintings. We see not only the visible,
but the invisible too. And this experience – a peak visual experience –
can expand your sense of vision, your perception of reality, and
ultimately, your consciousness, but only if you allow yourself to fully see how she feels her way into the space of a landscape and fuses it with her inner space.
Her paintings invite us to share in the treasure she brings back from where no one can go any further.
This excerpt is the criteria Terrill Welch shall use to select her personal, in no particular order, SEVEN out of twenty-seven BEST of 2018 paintings – these are the painting pebbles that she shall toss lightly ahead of her as she moves into the stream of a new year.
Best SEVEN Paintings of 2018
Restless Salish Sea –8 x 10 inch plein air acrylic sketch on gessobord
The day was fantastic! The waves were being whipped up by a good breeze
but it was still warm enough to be comfortable standing around. A
favorite kind of plein air painting day!
A small Emerald Bay Mayne Island BC – 24 x 18 inch oil on canvas – SOLD
The emerald waters in the bay sparkle with the clarity of gems as the
sunlight reaches over top of the hill. I stand in the calmness for a
while then cast my thoughts farther afield to the smoky skies across the
Oyster Bay Morning Rain – 8 x 10 inch plein air acrylic sketch – SOLD
As we stood, clouds gathered, until I had tipped my easel almost closed. Morning Rain. Oyster Bay, Mayne Island, British Columbia
Arbutus in the fog St John’s Point – 16 x 20 inch oil on canvas
The old arbutus on St. John’s Point tells the story of winds, dryness,
winter rains and endurance as it curls up and back over itself for
balance. The morning fog leaves its shape exposed and gathering more
attention than usual.
Sea and Shore – 36 x 48 inch oil on canvas – SOLD
Arbutus Tree Reaching – 36 x 48 inch oil on canvas
Late afternoon sun catches the curves of a grand old arbutus tree
reaching out into Campbell Bay on Mayne Island in British Columbia. I
want not to move or even shift my gaze for a very long time.
Winter with the Old Fir on the Ridge – 48 x 24 inch oil on canvas
The snow on the north side of ridge slows my progress because I need
to take several stops to catch my breath. But the climb was worth it! I
have the Mt. Parke ridge with its fresh snow all to myself! Just me and
this big old fir tree were there when the sun broke through the rushing
clouds and warmed our backs.
This could be many places in British Columbia in the winter and
certainly took me on a memory meander around the province when I later
painted the moment.
Now, standing at the easel, brush in hand, Terrill Welch shall step cautiously, yet confidently, forward with the advice of Mary Oliver in verse 4 of her poem “Sometimes”
Instructions for living a life:
Tell about it.
(from page 105 in Devotions: The Selected Poems of Mary Oliver, 2017)
Happy New Year!
What about you – what stones, pebbles and gems are you tossing forward for your journey in 2019?
Since the beginning of October, seven more paintings have left the Terrill Welch Gallery and the artist’s home studio for private art collections. We haven’t shared these departures for a while so we will also add in three other favourites from earlier in the year for a total of ten featured in this post that are now in private art collections. There are others of course. But one can’t share all the works going and have any room left for sharing the new work being released. So we shall stop there for the moment. These original works are characterized by a wide range of sizes, rendered in acrylic and in oil – each have Welch’s signature attention to place, light and movement. Starting with the smaller acrylic painting sketches and working up to the larger oil paintings, let’s see what we have…
Update November 25, 2018: Make that eight! Starting with the latest…
Salish Sea late August morning – 11 x 14 inch acrylic plein air sketch on gessobord by Terrill Welch. In Private Collection. Waves rolled ashore creating a space to pause in the August Sun. What a day!
Then continuing as originally posted….
Orca Trail Cotton Park – 8 x 10 inch acrylic plein air painting sketch by Terrill Welch. In Private Collection. A glorious day standing by the sea plein air painting for summer solstice. Mayne Island, British Columbia, Canada.
Afternoon Chairs – 8 x 10 inch acrylic plein air painting sketch by Terrill Welch. In Private Collection. A pleasant afternoon spent painting under the trees in a fellow painter’s backyard.
Sea and Shore Study – 11 x 14 inch acrylic plein air painting sketch by Terrill Welch. In Private Collection. Sweeping curves round above seal-shaped forms below. Light and shadow intertwine in a symphonic melody.
A small Emerald Bay Mayne Island B.C. – 24 x 18 inch oil on canvas by Terrill Welch. In Private Collection. The emerald waters in the bay sparkle with the clarity of gems as the sunlight reaches over top of the hill. I stand in the calmness for a while then cast my thoughts farther afield to the smoky skies across the water.
A Tall Tale of Autumn Stuart River – 16 x 12 inch oil on canvas by Terrill Welch. In Private Collection. These are my childhood trees – popular trees growing on the riverbank. They are my first subject of paintings. I cannot pick up a brush to render them without being transported back through time with its many stops before these trees. These are trees I met before there was even a field in front of them. These are trees I introduced my first lover and later others. Then much later my now husband. These are trees I walked beside while I carried my babies and then with them while they carried theirs. These are the trees that my mother and father have walked with me since they were younger than I am today. Painting the spaces of light and shadow in between is filled with the residue of many visits. It is a tall tale that gets taller with each telling. All I intended to do was to use up the paint leftover on the palette.
High Desert Dawn – 30 x 40 inch oil on canvas by Terrill Welch. In Private Collection. The morning light slices through the heavy storm clouds over the high desert in Orville Washington.
Long Beach Vancouver Island June 2013 – 48 x 24 inch oil on canvas by Terrill Welch. In Private Collection. There is nothing like a long stretch of sand on the west coast of Vancouver Island with the water and mist rolling at the same tempo. Untamed wanton desire whips up our wild side with such grace and ease we gasp, we cry and we laugh like the gulls.
And here are three more Gallery favourites from earlier in the year that have also sold:
Morning Along the Island Road Mayne Island BC – 20 x 16 inch oil on canvas by Terrill Welch. In Private Collection. The rising sun grasps at the branches of the arbutus tree and dashes across the old road and through the dry grass. My eyes and heart race to catch up while the brush makes swift marks on the canvas. An island summer plein air morning to be remembered.
Catching Waves at Georgina Point Mayne Island BC – 30 x 40 inch oil on canvas by Terrill Welch. In Private Collection. There is a brisk northwesterly wind stirring up the Salish Sea in the bright autumn sun. I step carefully down the sandstone trail to the shore below the lighthouse at Georgina Point. Looking out across the Strait of Georgia, it seems that the best thing to do is to catch a few waves. Mayne Island, British Columbia, Canada.
And finally for the largest work which only hung in the Terrill Welch Gallery for a day before being personally delivered to the art collector….
Sea and Shore – 36 x 48 inch oil on canvas by Terrill Welch. In Private Collection. There is this small bay at the mouth of Active Pass as it opens into the Strait of Georgia where the tension between sea and shore is intense.
So there you have it! Just a few painting adventures for you as they leave the Terrill Welch Gallery or the artist’s home studio for your browsing pleasure. If you want to see more of her works that have sold or, more importantly, that are still available for purchase – drop on by the Online Gallery at https://terrillwelchartist.com/online-art-gallery. Or, if you happen to be making a trip to Mayne Island on the Southwest Coast of Canada, make an appointment and come into the Terrill Welch Gallery where it is the artist’s winter studio until the spring of 2019.
Who loves the little paintings, the small works, the pieces that are always perfect to hang or rest or prop in your modest space? Maybe one like this small 8 x 10 inch acrylic sketch on gessobord? Yes?
Who wants to support their favourite artist for International Artist Day but a large work is just plain outside the budget? Well, the Terrill Welch Gallery has you covered!
If you happen to be “on island” for the Remembrance Day weekend the Terrill Welch Gallery is open Friday evening November 9th from 4 – 5, Saturday, November 10th, and Sunday, November 11th, during the day from 11-4 at 478 Village Bay Rd in Miners Bay on Mayne Island in British Columbia, Canada. The gallery is also open by appointment during the winter months any day or time that is mutually agreeable.
Do enjoy this small works, Le Petit Show, opportunity to add to your art collection with a Terrill Welch original painting!
We are wishing our Terrill Welch Gallery a Happy 1st. Anniversary this August long weekend. A huge high-five to the little art gallery that CAN! The candy dish is filled and the walls are sparkling with large and small original seascapes paintings.
Open Friday, Saturday, Sunday and the holiday Monday 11 – 4 mid April to mid November at 478 Village Bay Rd. Mayne Island B.C. or, as always, online 24/7 at TerrillWelchArtist.com or go directly to the online gallery HERE.
There is always something going! This week Terrill shares what it is like on Sunday’s in the gallery.
The painting on the easel that celebrates this occasion is now completed except for the usual painting of edges, adding the hanging wire and a final photograph.
“Shanti’s Sunshine Bouquet”
24 x 18 in oil on canvas by Terrill Welch will be released soon.
And a few words from the painter herself about this painting…
There are people we all know that shine just a little brighter in their ordinary everyday interactions with us. Shanti is one of these people. When I asked her to design a bouquet for the gallery in celebration of its 1st year anniversary, I had no intention of doing a painting of it. But as I sat there watching the sun come around and seeing the flowers light front from the gallery lighting and in the back from the sun, well there was no question. It had to be done – simply to celebrate life and loving kindness!
I started with a few photography sketches to understand the composition I wanted. Then I hesitated. It was a busy weekend in the gallery. Could I possibly paint and attend to gallery guests? My head said “no” and my heart said “yes”… so I painted. The heart almost always gets its way and the head must scramble to keep up attend to the tasks that will prevent disaster – such as monitoring the blouses about to connect with wet paint on the canvas or the person who was about to step back and trip on the leg of the French Box easel. Not an easy job in a small space but we did it!
The painting took two days. The first day to bring the painting to rest and ensure it was alive and breathing on its own. I am working on a painting progress video for my email newsletter subscribers because this painting could have gone in several directions at one point and it is fun to see the path it chose. Then a second day was used to “put the pearls on” and see that the canvas held together as a whole. Done, done, done!
From crashing waves to a quiet ebbing tide, you will be at the edge of sea with contemporary landscape painter Terrill Welch. The solo exhibition opens Friday, July 27th and is up until Saturday 22, 2018 at the Terrill Welch Gallery on Mayne Island in British Columbia, Canada.
In less than 3 minutes our short video provides a partial browse through the work for you.
You can also view all available work by Terrill Welch in the ArtWork Archive online gallery as well.
Each painting listed includes a short description about the work along with essential details.
Whether in person or online, we welcome you to this new seascape celebration in paintings from the Southern Gulf Islands and Tofino in British Columbia, Prince Edward Island and the Northwest coast of the United States.
Directions to visit (along with days and hours open) the Terrill Welch Gallery in-person are available HERE.