Notes from the painter: “To stand quiet and alone with these arbutus trees during a late summer morning is to find the spirit of the place, resting next to my bones with the slow beat of my heart keeping time with their gentle rhythm.”
SOLD This Past Week
In October, this large 40 x 30 inch work left the gallery for a trial visit. However, the art collector had a challenging location and the painting didn’t work in that first desired location. But rather than giving up, she tested in another location… and then another location. The third time was charmed. We saw a sneak preview Last week and believe “When I am Among the Trees” will be most happy there, doing its job of taking the viewer for a walk through the trees into the spirit of the place. And so another large landscape painting leaves Mayne Island, and crosses the Strait of Georgia, for a more urban adventure.
We wish you all the best of the holiday season and look forward to seeing in the New Year, if not before!
On this December 1st of 2019, we pause to reflect on the success of the Art of Terrill Welch Gallery during this past art season. The small seasonal gallery, with a year-round online presence, has had a good year. In fact, the best year so far! By the end of September this year, Terrill Welch had painted and released 23 new contemporary landscape paintings and 17 works had sold from her inventory of original works. Before a price increase takes effect next week, we thought we would share five of our favourite oil paintings that are now in the homes of art collectors and offer you the chance to browse the online gallery of current works still available.
So there you go! Our heartfelt thanks to the art collectors of these contemporary landscape paintings for their patronage and those that have taken on stewardship and care of the other 18 original Canadian landscape paintings by Terrill Welch that also sold before the end of September…. and the ones have sold since then as well! Terrill is in the gallery’s winter studio painting as fast as she can to bring you more inspiring renderings like these in the near future. But there are still other great pieces available in the online gallery for your viewing pleasure. Do send us an inquiry if you find something to your liking! We will be happy to make arrangements to see that the work finds its way to you. So feel free to wander over and have a look at https://www.artworkarchive.com/profile/terrill-welch
The Art of Terrill Welch Gallery opens its final show of the year with a Solo Exhibition “Paintings of the Salish Sea” November 1 – 10, 2019. The gallery will be open 11-4 Friday, Saturday and Sunday on the first weekend and Friday and Saturday on the second weekend as well as by appointment on any of the days between November 1st and 10th.
During this show of smaller original works a few gift products will also be available such as 2020 calendars, greeting cards, writing journals, mugs and tote bags. These gift products are only in the gallery during this November and sometimes by special request in December. The rest of the year is dedicated to original paintings by Terrill Welch and the occasional guest artist. With the exception of the calendars, these gift products and more can also be purchased directly online worldwide in the gallery’s Redbubble store front at: https://www.redbubble.com/people/terrillwelch?asc=u Once you reach the storefront, just click on the painting image you like and it will show you the products available for that image. Always feel free to contact us if you need any assistance.
The original painting sketches and oil paintings can also be viewed and purchased through our online gallery. We wish you all the best whether you are browsing in-person or over the internet! Questions and enquires are most welcome and we make every effort to response within 24 hours. Enjoy!
Twelve of the eighteen paintings in the Art of Terrill Welch Gallery’s hottest show of the season were completed since the beginning of 2019. (Terrill Welch has completed and released 21 new works since January 1st but who is counting? 😉 Earth, Sea and Sky is a solo exhibition that is about exactly what the title describes. It is a theme that has a deep rich vein of consistency in Terrill Welch’s work and one she is not finished with just yet! The solo exhibition runs from Friday, July 12, 2019 to Sunday September 1, 2019. Two works in this show, including the “poster painting” have sold in pre-sales. Our heartfelt thanks to the art collectors who have graciously allowed these works to be shown for the opening weekend.
And here are a few images of the new show as it was freshly prepared for this weekend.
One looking towards the window and will be the first view seen as you enter the gallery…
Now for a final glimpse of the long wall beside the desk…
This is where you will leave your comments, where you are from and sign up for the newsletter that comes out every second week.
Psst! There is a DRAW for newsletter subscribers of a small painting sketch at the end of this show but you must subscribe before August 20, 2019 and have opened at least one issue to qualify. You do not need to come into the gallery to do this. You can subscribe to the newsletter right now HERE . The details for the Draw are in Issue #30 Earth Sea Sky Opens, published on Friday July 12, 2019. Good luck!
Now for the online viewing of the works in the show…
Visit Art of Terrill Welch Gallery from the May to September
long weekends on Friday, Saturday and Sunday 11-4. Or better yet, make
an appointment for a private viewing anytime of the year at 478 Village
Bay Rd., Mayne Island, B.C., Canada.
From May 17th to July 7, 2019 Canadian contemporary landscape paintings from north central to the southwest coast of British Columbia will be showing at the Terrill Welch Gallery on Mayne Island. This solo exhibition is about a painter’s life that is lived in the landscape of a province rather than a city or village. From plein air painting at her parents’ farm on the Stuart River to the first leaves on the poplar trees in the Cariboo or the smoky skies near Cache Creek and all the way to linger along the islands next to the Strait of Georgia and then further to a sunset on Chesterman Beach near Tofino, her brushes move paint swiftly and precisely across the canvases. British Columbia is a diverse landscape that is explored within the integrity of place through the vision and impressions of one painter – Terrill Welch.
From the richness of light through the rainforest canopy to an arbutus tree reaching over the edge of a cliff, you will be there, standing shoulder to shoulder with the painter inside the landscape.
Come on in and stay a while. This small Southern Gulf Islands art gallery looks forward to welcoming you for the first show of the 2019 season.
Online viewing of the works in the show…
In other gallery news…
One of the latest paintings of the north central interior has been pre-sold from this show.
As well, another larger oil painting has sold this week and will be on its way…
Visit Art of Terrill Welch Gallery from the May to September long weekends on Friday, Saturday and Sunday 11-4. Or better yet, make an appointment for a private viewing anytime of the year at 478 Village Bay Rd., Mayne Island, B.C., Canada.
Each season of Mayne Island’s boutique Art of Terrill Welch Gallery brings something new to its personal and Canadian welcome for viewing original paintings by internationally collected landscape painter Terrill Welch. With just a wee bit of luck, we managed to capture the artist herself stepping behind and in front of the camera this spring to bring a quick overview of what is in store at the start of the 2019 spring and summer season. We hope you enjoy this short video introduction and a brief glimpse of some of her new work that is now available.
A quick reminder for those that are unable to come to the physical gallery that available works can be viewed and purchased online 24/7 and come with a 30 day (no questions asked) satisfaction guarantee. Also, there is now a virtual gallery show that you can learn more about in the previous post HERE.
Make a Plan Today and….
Visit Art of Terrill Welch Gallery from the May to September long weekends on Friday, Saturday and Sunday 11-4. Or better yet, make an appointment for a private viewing anytime of the year at 478 Village Bay Rd., Mayne Island, B.C., Canada.
We know it is always great to visit the Terrill Welch Gallery on Mayne Island off the southwest coast of British Columbia, Canada. But what is one to do when this is not an option? We have been musing about this and have come up with an alternative experience beyond viewing works in only the online gallery. Have you ever seen a 3D gallery show? Have you ever used augmented reality or AR to try a Terrill Welch original painting out, to scale, on the walls in your own space before deciding to purchase? Well now you can!
Please note, this new technology is not meant to replace our current website and online gallery or physical gallery. This opportunity is intended to offer another value-added advantage to our fans and collectors of “Terrill Welch” original paintings by providing an online visual size-reference for both the work itself and also for the space you are considering placing it.
3D Virtual Gallery Solo Exhibition
A few hints before you enter the 3D virtual gallery:
A laptop or tablet seem to give the best viewing experience but several people tested the gallery using their phones and enjoyed the experience as well.
Once you “enter” the exhibition it may take a few seconds to load.
Small movements in the gallery with cursor or finger have a big impact. So take it slow until you get the hang of the space.
You can move around the gallery at will or you can have a guided tour. The guided tour doesn’t give you much of a feel of scale but it does show you all the work individually.
To see a work in detail and access information about it just tap or click on the painting. On the right, there is an “i” in the row of options that you can click for more information about a piece.
When you are done looking at a specific painting you can scroll left or right or hit the “x” at the top right to exit and again move around in the gallery space.
General instructions are also available at the websiteHERE.
What you see should look something like this….
If this is what you see, you are in the right place to enter. On my iPand and iPhone I need to touch the image to enter. Then once you enter, there will be instruction on the upper right on how to navigate the virtual gallery. Once you have it figured out just hit the “x” to get it out of the way.
Go ahead, have a look around.
If you see something you like, zoom in.
Click the “i” for information and it will then have a link to click for price and to make an inquiry. There you go!
Augmented Reality Viewing
Now let’s move on to the second aspect of this grand new adventure. Right now there are the 24 paintings, those that are in the solo exhibition above, available for viewing in your own home or office space using the KUIO augmented reality app. However, I can add other paintings by special request and as needed.
A few hints before you try using the augmented reality technology:
Start by clicking on “get app” in the link provided HERE (you don’t need to “register”. That is for the Artist or Gallery to set up an exhibition)
Once you have the app installed on either your phone or IPad, the Selection ID 248 is what you use to access my work.
Once you search, under the number will appear “View Section: Contemporary Ca…” Click on this and you will be able to view the paintings and you will see the “view in room option”.
But first you will need to download and print the “marker” as this is what allows the technology to display the paintings in the correct size. Instructions will be provided to walk you through this step. One “marker” for all the paintings. You don’t need a different marker for each painting.
You can either use your phone or your iPad to view or take a photo of the painting in the desired location in your room. Have fun and if you have the time, we would love to hear what you think.
KUNSTMATRIX is the developer for both the 3D gallery space and the augmented reality and is based in Berlin, Germany. We suspect this technology will become more streamlined and fine-tuned over time and in a couple of years we will simple take it for granted. For now though, it is kind of exciting to be on the developmental edge of its implementation.
What can we say?… as we make three copies of everything for the International Customs declarations. Since the painting is jury selected for this show, we think we will just have to do our best to get the work there, even though it means a trip to Victoria B.C. for Fedex shipping. It should be, with a bit of luck, at the New York City Gallery, in preparation for the show, by Friday, March 22, 2019!
The Equinox Exhibition in New York, New York
is April 4 through April 26 2019
If you happen to be in the area or have friends who might be interested,
the NYA Gallery in TriBeCa is open 12 – 5 pm everyday at:
7 Franklin place, New York, NY 10013
Also, the Opening Night is April 4th from 6-9 pm and the link for eventvite tickets are HERE.
Just to add to the fun, there is a “sister painting” to this one which is available for viewing by appoint at the Terrill Welch Gallery’s winter studio during the same time as the Spring Equinox show at the NYA Gallery.
A coast to North American coast, reaching between two neighboring countries with two Terrill Welch paintings seems like a perfect way to start the Terrill Welch Gallery Spring season to me! What do you think?
In other Terrill Welch Gallery news – Sold!
The Terrill Welch Gallery congratulates the art collector who added this large contemporary Canadian landscape oil painting to their collection over the past couple of weeks.
The small study for this larger work refused to be left behind! So the two works will remain together in the same art collection.
Notes from the painter herself:
“A place where sea, shore, trees and home rest in harmony at the entrance to Active Pass on Mayne Island in British Columbia. There is just the right combination of resolve, peace, strength and resiliency present to fortify ones dignity and respect. It is a place where one’s inner and outer worlds seem seamless and glorious.”
Choosing the right space for a painting is always an interesting challenge. We had the opportunity to exercise my “visiting rights” of another large work in the same art collector’s home while we hung the new painting. This earlier painting is across from an open staircase and allows the viewer to see it easily at various heights from up and down the stairs as well from various locations in the open plan room. The ability to basically shift the viewers perspective from sitting to standing, depending on where they are on the stairs works extremely well.
Have you ever considered how art work in your rooms will be mostly be viewed?
Will people be transitioning from one room to another?
Will they often be sitting on chairs or sofas?
Is it a standing working area or an entrance?
Does the work require a brief glance to “get it” or does it require time to study and contemplate?
What is the work’s purpose in the room?
Does the work calm or energize?
Is the art of significance by itself or has it been paired to support other decorative aspects of a room? Or both?
Just a few quick thoughts to bring to your art collecting mindset when choosing where to hang a painting. Maybe these questions will lead to a whole shift of the art in your home or office? A fresh review of the work possibly?
Note: normally we don’t want to hang an original painting above a fireplace. In this case the fireplace is highly functional and as well as seldom used, leaving the painting at minimal risk of damage.
Happy Spring from the Terrill Welch Gallery to YOU!
We always love to hear from and if you want to receive our gallery newsletter, please go ahead and sign up…
Yesterday, following a rocky ferry ride, a power outage and in the mids of winds and heavy rain, business woman, Katrina Elliot and I slipped into the Terrill Welch Gallery. A painting had been set aside months ago, waiting for her final review and consideration. She said “yes!”
You see, like people, my paintings have work to do. My paintings are not just a pretty face to dangle on your wall for others to admire or an accessory to balance or decorate a room. In fact, many collectors of my paintings hang the work in their bedrooms where few see them but the intended viewer. So, what is this important work that these paintings do?
Well, like Katrina, many “Terrill Welch collectors” are leaders in fields that they are passionate about – it is demanding work, meaningful work. The risks are often high and the learning curves steep because these individuals continually reach for what is just at the edge of their ability, simply because the positive outcomes for change, in individual lives and in community, are great. It is work that will matter ten years and even a hundred years from now. These individuals give everything they have and then find that extra 10 percent. In these situations, my paintings frequently provide a focus for reflection, a chance to regroup and build resilience, an opportunity to dream and problem-solve. They provide confirmation that you are enough – just as you are. Finally and most importantly – hope. The paintings are a touchstone and buffer. They are a reminder of our ability to endure and navigate significant losses and the trials we all must face in living a full life, one that is well lived.
We know this because firstly, it is the spirit in which the work is created and secondly, the paintings have been doing this work for so long that they excel in their partnership with the viewer to accomplish these tasks. In fact, Katrina attended and purchased her first work from my very first solo gallery show back in the mid 1990’s. Sadly, this initial painting was lost in a flood a few years ago. In 2016, wanting to replace the painting, Katrina did a google searched for me and the rest, as they say, is history. Since then she has carefully and thoughtfully added works to her “Terrill Welch collection” and I do trust and hope that these paintings will work as rigorously and hard as she does. The biggest bonus for me is that we have rekindled a friendship that now spans almost 25 years. The paintings consider this their valued-added contribution to the bottom line of life and community. The paintings can never guarantee this outcome but it is always a welcomed deliverable. As a painter, I think I love my work almost as much as the collectors and the paintings do! After all, we all have work we must do, that we cannot bare to walk away from or leave only half completed.
So, let us congratulate “Centuries of Seasons – Heritage Road, P.E.I.” on finding the perfect home and Katrina Elliot on her new stewardship of this work. May they both thrive, give their best and always know how much they are appreciated.
Painter’s notes about “Centuries of Seasons – Heritage Road, P.E.I.” 24 x 30 inch walnut oil on wood…
Centuries of Seasons might be said to have begun on a drive down the Currie Heritage Road on Prince Edward Island, Canada in May 2016.
It might be said that I only trust my brushes today and not my own words and convictions. This is true, though it is not uncommon, I would think, to seek the experience of wise counsel when processing ones own experiences.
It might be said too that I have begun with the first trees I ever painted. This likely is equally true because to know a tree well enough to paint it is to spend years in its company.
It might be said that the centuries of seasons in this painting have no beginning and no ending. This too is true as we can observe that the road has worn away from years of passage over its red dirt surface.
Regardless of what might be said, this is where the painting has come to rest with its centuries of seasons.
At the close of each year, Terrill Welch reaches back and picks up the best bits and tosses them forward, leaving stepping stones for the year ahead. In this way, she is fortunate because this year, she has so many solid and elegant gems for tossing.
In the words of the artist herself….
“Gathering a monk’s collection of polished simplicity, I find myself preparing for painting adventures with a traveling bag full of painting problems, desires, half-baked ideas and unknowns. My meager tools and methods are but a few hundred years old. Will they be enough? Am I enough?”….
After all, works of art are always the results of one’s having been in danger, of having gone through an experience all the way to the end, to where no one can go any further. (Rainer Maria Rilke – Letters on Cézanne, 1907. Published in English in 2002)
This quote opens up the introduction by Elena Maslova-Levin of the catalogue Conversations on Edgethat was published in the spring of 2018 for a two-artist show with Welch and Maslova-Levin in the Terrill Welch Gallery on Mayne Island in British Columbia. Excerpts of Maslova-Levin’s introduction about my work is one of the pebbles of observation I am tossing forward…
Landscape painting might not seem like a particularly dangerous
adventure: you take your easel, and paints, and a canvas, and go
outside, and paint what you see. What danger can be there?
It is the danger of seeing what nobody else has seen, the danger of shattering conventional and comfortable visual reality.
Paul Cézanne once said that Claude Monet was “just an eye, but what an eye!”
This remark may seem disparaging – unless you know what it takes to see what your eyes really
see. Every human being receives an infinite richness of visual
information every waking moment, but the brain habitually filters out
almost all of it, and builds a simplified picture of visual reality for
the mind to consume, based mostly on what we already know. This
mechanism is there to protect us, and it takes both courage and mastery
to switch it off, and to fully open your mind to the unspeakable
infinity of world’s beauty. To go through the experience of seeing all the way to the end, to where no one can go any further.
Although a student of Claude Monet’s in many ways, with an eye as
attentive and discerning as his, Terrill Welch is much more than an eye.
The space of her paintings is more than the familiar three-dimensional
space of visual reality. It encompasses not just vision, but all sensory
dimensions of human experience – the sound of silence, the smell of
distant snow, the cool touch of shadows, the taste of ocean water (and,
occasionally, a hearty winter lunch, too). This is how she inhabits the
multidimensional space of ever-present Now. That’s how she fills with
life and light what might seem like empty space to a lazy eye.
It is this multidimensional space that opens up from the deceptively
two-dimensional surface of her paintings. We see not only the visible,
but the invisible too. And this experience – a peak visual experience –
can expand your sense of vision, your perception of reality, and
ultimately, your consciousness, but only if you allow yourself to fully see how she feels her way into the space of a landscape and fuses it with her inner space.
Her paintings invite us to share in the treasure she brings back from where no one can go any further.
This excerpt is the criteria Terrill Welch shall use to select her personal, in no particular order, SEVEN out of twenty-seven BEST of 2018 paintings – these are the painting pebbles that she shall toss lightly ahead of her as she moves into the stream of a new year.
Best SEVEN Paintings of 2018
Restless Salish Sea –8 x 10 inch plein air acrylic sketch on gessobord
The day was fantastic! The waves were being whipped up by a good breeze
but it was still warm enough to be comfortable standing around. A
favorite kind of plein air painting day!
A small Emerald Bay Mayne Island BC – 24 x 18 inch oil on canvas – SOLD
The emerald waters in the bay sparkle with the clarity of gems as the
sunlight reaches over top of the hill. I stand in the calmness for a
while then cast my thoughts farther afield to the smoky skies across the
Oyster Bay Morning Rain – 8 x 10 inch plein air acrylic sketch – SOLD
As we stood, clouds gathered, until I had tipped my easel almost closed. Morning Rain. Oyster Bay, Mayne Island, British Columbia
Arbutus in the fog St John’s Point – 16 x 20 inch oil on canvas
The old arbutus on St. John’s Point tells the story of winds, dryness,
winter rains and endurance as it curls up and back over itself for
balance. The morning fog leaves its shape exposed and gathering more
attention than usual.
Sea and Shore – 36 x 48 inch oil on canvas – SOLD
Arbutus Tree Reaching – 36 x 48 inch oil on canvas
Late afternoon sun catches the curves of a grand old arbutus tree
reaching out into Campbell Bay on Mayne Island in British Columbia. I
want not to move or even shift my gaze for a very long time.
Winter with the Old Fir on the Ridge – 48 x 24 inch oil on canvas
The snow on the north side of ridge slows my progress because I need
to take several stops to catch my breath. But the climb was worth it! I
have the Mt. Parke ridge with its fresh snow all to myself! Just me and
this big old fir tree were there when the sun broke through the rushing
clouds and warmed our backs.
This could be many places in British Columbia in the winter and
certainly took me on a memory meander around the province when I later
painted the moment.
Now, standing at the easel, brush in hand, Terrill Welch shall step cautiously, yet confidently, forward with the advice of Mary Oliver in verse 4 of her poem “Sometimes”
Instructions for living a life:
Tell about it.
(from page 105 in Devotions: The Selected Poems of Mary Oliver, 2017)
Happy New Year!
What about you – what stones, pebbles and gems are you tossing forward for your journey in 2019?